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Micro-layering: A new era in porcelain layering

Application of CERABIEN MiLai internal stains to a zirconia crown. (Image: Ioulianos Moustakis)

Thu. 14. August 2025

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Highly aesthetic lithium disilicate or zirconia-based framework materials combined with a micro-layer of porcelain are becoming the new standard for producing lifelike ceramic restorations. In this interview, Mathias Fernandez Y Lombardi, head of technical marketing for Europe at Kuraray, shares expert insights into adopting, refining and selecting materials for lifelike ceramic restorations.

Mr Fernandez y Lombardi, do you believe in micro-layering as a technique that is capable of streamlining procedures in the dental laboratory while fulfilling high aesthetic demands?
Yes, I truly believe that micro-layering is the next step in the evolution of indirect restorative techniques and materials. This evolution is driven by improvements in the area of framework materials, which are becoming more and more tooth-like in their appearance. We have moved from metal to opaque, high-strength zirconia and—more recently—to high-translucency multilayered zirconia and lithium disilicate, which no longer require thick porcelain layers to achieve lifelike outcomes. In this context, it’s only natural that a new technique has emerged.

Mathias Fernandez Y Lombardi. (Image: Kuraray Noritake Dental)

Mathias Fernandez Y Lombardi. (Image: Kuraray Noritake Dental)

Kuraray Noritake Dental is well known as a pioneer in multilayered zirconia technology and veneering porcelains. Are there any products particularly suitable or specifically developed for micro-layering?
We offer a series of high-translucency, multilayered zirconia options perfectly suited for micro-layering on the one hand and an aligned portfolio of internal stains and porcelains specifically developed for micro-layering on the other. The zirconia portfolio includes three different blank types with a multilayered colour structure (KATANA Zirconia UTML, STML and HTML PLUS), one variant that features gradation in flexural strength, translucency and colour (KATANA Zirconia YML) and the timeless classic KATANA Zirconia HT for frameworks. While the first three offer a uniform strength and are chosen based on the indication, KATANA Zirconia YML with its multilayered strength is a universal material suitable for an extremely wide range of applications.

We have just introduced CERABIEN MiLai, a set of internal stains and porcelains specifically designed for the micro-layering technique. This addition to the CERABIEN family offers a perfect complement to the KATANA Zirconia multilayered series and, with it, a revolutionary workflow that significantly deviates from traditional methods, enabling us to deliver greater efficiency and cost-savings, as well as more flexibility. However, CERABIEN MiLai is compatible not only with KATANA Zirconia but also with aesthetic zirconia from other manufacturers and with reinforced silicate ceramics such as lithium disilicate with a coefficient of thermal expansion in the range of 9.5–11.0 × 10 –6 K–1 (50–500 °C).

Why should dental technicians start using the micro-layering technique and invest in a new set of porcelains for this purpose?
The reasons to start micro-layering are obvious: depending on the design, micro-layering can eliminate or minimise chipping risk. Moreover, the technique is highly efficient because the number of layers and bakes is drastically reduced. This results in a thinner restoration, facilitating minimally invasive preparation, and requires a less complex layering procedure that even beginners are able to learn and implement very quickly. The CERABIEN MiLai set of porcelains specifically developed for micro-layering can further support the feasibility of the technique and the quality of the outcomes achieved, even by beginners. Owing to the shortage of skilled workers in dental laboratories, this aspect is becoming increasingly important.

How does CERABIEN MiLai support users in achieving aesthetic, high-quality outcomes right from the start?
With traditional porcelain systems, it can be challenging to create all the desired individual shade effects in a layer of only 0.03–0.6 mm thick. For CERABIEN MiLai, this isn’t the case, because the system has been specifically designed for this purpose. The saturation and translucency of the porcelains are matched to the framework materials and adjusted to the volume of the porcelain layer. The compact line-up makes it quite easy to select and combine the right shades for satisfying results right from the start. More experienced users can mix the different components for additional effects—no limits are placed on their creativity.

Furthermore, the versatility of CERABIEN MiLai is a key feature that results in great outcomes. The system can be used on lithium disilicate and zirconia, a monolithic surface, a vestibular cutback or a full micro-cutback. Considering this broad application spectrum, dental technicians are likely to use CERABIEN MiLai daily, which will allow them to develop a true understanding of the components and to establish work routines very quickly, supporting predictable and controllable outcomes as a consequence. This is further supported by consistent handling and optical properties—all the result of a single core technology.

Could you please tell readers more about this technology?
The core technology used in CERABIEN MiLai is synthetic feldspathic ceramic technology. Originally developed for Noritake Super Porcelain EX-3 and adjusted to the specific needs of CERABIEN ZR initially and of CERABIEN MiLai more recently, this technology ensures consistent properties. This is because the formulation does not rely on naturally variable components and therefore requires no adjustments over time. However, I believe that the greatest benefit of using feldspathic porcelain lies in the elimination of shadow effects. Everyone familiar with layering natural feldspathic porcelains on ceramics will know about the typical greyish shadows that appear in restorations after several firing cycles. These originate from inhomogeneities in the material caused by micro-movements during firing. Showing no movements in this phase, synthetic felspathic porcelains from Kuraray Noritake Dental are the only porcelains that prevent this effect. Finally, the further developed version of the technology allowed us to realise a low firing temperature of just 740 °C while maintaining the desired coefficient of thermal expansion. This is essential for the material’s compatibility with lithium disilicate.

Unlimited design options: a crown with a full micro-cutback (a), a crown with a vestibular cutback (b) and a monolithic crown (c). (Images: Daniele Rondoni)

Unlimited design options: a crown with a full micro-cutback (a), a crown with a vestibular cutback (b) and a monolithic crown (c). (Images: Daniele Rondoni)

Are there any other benefits arising from the low firing temperature?
The low firing temperature definitely offers an economic benefit in that the process consumes less energy and takes less time compared with high-temperature firing cycles. Moreover, the wear on the furnace is reduced. Finally, the low temperature is of interest for users of CERABIEN ZR in specific indications: some ceramists like to combine systems, especially in cases with artificial gingiva. They can create the porcelain work on the teeth with CERABIEN ZR first and then individualise the gingival area with CERABIEN MiLai. Owing to the low firing temperature, the form, colour and surface of the previously applied veneering porcelain will remain stable.

Do you have any application technique recommendations for CERABIEN MiLai?
The best aesthetic outcomes are obtained by using the internal stain technique. By applying the stains first, it is possible to create natural depth effects despite the minimal thickness of the porcelain layer. The stains are easy to use, and the outcomes are impressive. The micro-layer of porcelain applied on top acts like a window imitating the enamel, which contributes to a tooth-like appearance. Owing to the compact line-up and easily manageable effects, this technique is even suitable for beginners.

Does the procedure differ depending on the base material (lithium disilicate vs zirconia)?
Most of the steps are identical. However, surface conditioning may be different depending on the material used (as described in the material manufacturer’s instructions for use). Moreover, Value Liner 1 or Value Liner 2 is typically used on lithium disilicate for wash baking, whereas Translucent or Luster are recommended for this step on zirconia. When space is limited, internal stains may be applied directly. All the following steps—the optional but highly recommended application of internal stains, the build-up of Translucent or Luster and baking, morphological corrections, the glaze bake and finishing—are identical.

What are the options for glazing?
CERABIEN MiLai porcelains offer a self-glazing effect obtained by fine polishing (with PEARL SURFACE C) followed by glaze baking. This leads to a natural gloss and maintains the anatomical details. Alternatively, CERABIEN ZR FC Paste Stain Glaze or Clear Glaze can be applied and fixed by baking. These liquid ceramics allow users to add some structural details and make the surface appear glossier. However, the procedure is more time-consuming owing to the additional application step.

Do you have any recommendations regarding the indication-specific selection of the framework or base material?
Traditionally, lithium disilicate has been the material of choice for aesthetic single anterior restorations, whereas zirconia was predominantly used for multi-unit restorations and restorations in the posterior area. Owing to the availability of KATANA Zirconia STML, KATANA Zirconia UTML and CERABIEN MiLai, zirconia is becoming increasingly attractive for the production of minimally invasive veneers, crowns and the like. A thin-walled restoration made of KATANA Zirconia, speed-sintered in just a few minutes and combined with a thin layer of CERABIEN MiLai results in an incredibly strong restoration with several aspects that lithium disilicate simply cannot match. The preparation technique for zirconia is much more favourable for dentists—for example, marginal adaptation and biocompatibility, especially regarding gingival healing, are superior.

Aesthetically, there is no risk of a greyish effect when using zirconia with CERABIEN MiLai, but lithium disilicate needs to be treated with Value Liner to prevent this. Additionally, the ease of cementation with PANAVIA SA Cement Universal further enhances the quality of the restoration in the fastest possible time frame, allowing for quick and flexible responses to dentists’ needs.

Application of CERABIEN MiLai tissue porcelains to a complex restoration with the teeth already finalised. (Image: Ioulianos Moustakis)

Application of CERABIEN MiLai tissue porcelains to a complex restoration with the teeth already finalised. (Image: Ioulianos Moustakis)

Application of CERABIEN MiLai internal stains to a zirconia bridge. (Image: Ioulianos Moustakis)

Application of CERABIEN MiLai internal stains to a zirconia bridge. (Image: Ioulianos Moustakis)

You mentioned speed sintering as a factor contributing to a streamlined workflow. Studies have shown, however, that this step might weaken the mechanical and aesthetic properties of zirconia. Do you recommend speed sintering despite this?
Indeed, speed sintering does affect the translucency and flexural strength of some zirconia variants. This is probably the reason why dental technicians have been reluctant to change their established practices of sintering overnight—despite the availability of high-speed furnaces. However, KATANA Zirconia is an exception. Owing to our unique powder formulation, we are able to offer zirconia with a composition that is completely different from other brands of dental zirconia. With this, we are able to fundamentally change the traditional workflow of the end user and offer greater flexibility, speed and efficiency, resulting in reduced energy consumption, stress and cost.

In a study conducted at the University of Alabama at Birmingham in the US, three different high-translucency zirconia materials, including KATANA Zirconia Block (KATANA Zirconia STML), were sintered according to a traditional and a high-speed sintering schedule. Prior to sintering and afterwards, the three-point bending strength, translucency and grain structure were analysed. The material from Kuraray Noritake Dental was the only zirconia with properties that remained unaffected after speed sintering. Internal testing confirmed this finding for all variants of the KATANA Zirconia multi-layered series. As a result, we do recommend speed sintering of our materials, delivering true economic and time advantages.

In light of the highly potent materials for micro-layering that are now available, do you think that full ceramic layering is going to be a thing of the past?
I am convinced that in the near future the great majority of dental restorations will be produced using aesthetic framework materials and simplified micro-layering techniques. However, full porcelain layering is here to stay. There will always be a demand for a few highly skilled ceramists serving the needs of individuals with the highest aesthetic demands. It is like tailor-made versus off-the-peg suits: the tailor-made ones are the best you can buy, but most people wear off-the-peg ones, which are perfectly adequate in virtually every environment.

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