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Digitising your implant practice

CBCT volume to aid in planning for mandibular implant placement. (Image: Dr Ross Cutts)

Thu. 3. May 2018

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Undoubtedly, digital dentistry is the current topic. Over the last five years, the entire digital workflow has progressed in leaps and bounds. There are so many different digital applications that it is sometimes difficult to keep up with all the advances. Many dentists are excited about the advantages of new technologies, but there are an equal number who doubt that the improved clinical workflow justifies the expense.

I have many times heard the argument that there is no need to try to fix something that is not broken. It is so true that impressions have their place and there are certainly limitations to the digital workflow that anyone using the technology should be aware of. For me, however, the benefits of digital far outweigh the disadvantages. In fact, the disadvantages are the same as with conventional techniques.

Chairside CAD/CAM single-visit restorations have been possible for over 20 years, but it was only recently that we became able to mill chairside implant crown restorations after the release of Variobase (Straumann) and similar abutments. I made my first CEREC crown (Dentsply Sirona) back in 2003 with a powdered scanner, and the difference from what I remember then to how we can make IPS e.max stained and glazed restorations (Ivoclar Vivadent) now is amazing.

An investment not an expense

The results of a survey regarding the use of CAD/ CAM technology were published online in the British Dental Journal on 18 November 2016. Over a thousand dentists were approached online to take part in the survey and the 385 who replied gave very interesting responses. The majority did not use CAD/CAM technology, and the main barriers were initial cost and a lack of perceived advantage over conventional methods.

Thirty per cent of the respondents reported being concerned about the quality of the chairside CAD/CAM restorations. This is a valid point. We must not let ourselves lose focus that our aim should always be to provide the best level of dentistry possible. For me, digital dentistry is not about a quick fix; it is about raising our performance and improving predictability levels by reducing human error.

In the survey, 89 per cent also said they believed CAD/CAM technology had a major role to play in the future of dentistry. I really cannot imagine that once a dentist has begun using digital processes that he or she would revert to conventional techniques.

What is digital implant dentistry?

Many implant clinicians have probably been using CAD/CAM workflows without even realising it, as many laboratories were early adopters, substituting the lost-wax technique and the expense of gold for fully customised cobalt–chromium milled abutments (Fig. 1).

One of my most important goals in seeking to be a successful implantologist is to provide a dental implant solution that is durable. We have seen a massive rise in the incident of peri-implantitis and have found that a large proportion of these cases can be attributed to cement inclusion from poorly designed cement-retained restorations (Fig. 2). Even well designed fully customised abutments and crowns can have cement inclusion if the restoration is not carefully fitted (Fig. 3). This has led to a massive rise in retrievability of implant restorations, with screw-retained crowns and bridges now being the goal. However, making screw-retained prostheses places even greater emphasis on treatment planning and correct implant angulation.

With laboratories as early adopters, we have been milling titanium or zirconia customised abutments for over ten years (Fig. 4). What has changed recently in the digital revolution is the rise of the intraoral scanner. We now have a workflow in which we can take a preoperative intraoral scan and combine this with a CT scan using coDiagnostiX (Dental Wings) in order to plan an implant placement accurately and safely. We can also create a surgical guide to aid in accurate implant placement, have a temporary crown prefabricated for the planned implant position and then take a final scan of the precise implant position for the final prosthesis.

Accuracy of intraoral scanners

Figures 4 to13 show the workflow for preoperative scanning, which includes the implant design, guide fabrication and surgical placement of two fixtures. Intraoral scanners have improved over the last few years, and their accuracy and speed provide a viable alternative to conventional impression taking. The digital scan image comes up in real time and you can evaluate your preparation and quality of the scan on the screen immediately. Seeing the preparation blown up in size no doubt improves the technical quality of your tooth preparations. The scan can then be sent directly to the laboratory for processing.

While we do not think of intraoral scanners as being any more accurate than good-quality conventional impressions, there are many benefits of scanning, such as no more postage to be paid for impressions, vastly reduced cost of impression materials, almost zero re-impression rates and absolute predictability.

Of course, there are steep learning curves with the techniques, but once a clinician has learnt the workflow, there really is no looking back.

We have three different scanners in the practice: the iTero (Align Technology), the CEREC Omnicam (Dentsply Sirona) and the Straumann CARES Intraoral Scanner (Dental Wings; Fig. 14). The CEREC Omnicam is fantastic for simple chairside CAD/CAM restorations, such as IPS e.max all-ceramic restorations on Variobase abutments. For truly aesthetic results, we, of course, still have a very close working relationship with our laboratory, but, undoubtedly, patients love the option of restoration in a day. Being able to scan an implant abutment and then an hour later (to allow for staining and glazing) fitting the definitive restoration is a game changer. Patients also love watching the production process as they see their tooth being milled from an IPS e.max block.

Figures 15–19 show the production process, including the exposure of the implant, the abutment seating, the scan flag on top of the abutment, the healing abutment during fabrication and the delivery of the final prosthesis. However, for more than single units or aesthetic single-unit cases, we use the iTero and Straumann scanners. The latter we have only had at our disposal since February. While it is a powdered system at the moment, this is due to change this month. Particularly with implant restorations, the need to apply a scanning powder is a limitation, owing to a lack of moisture control contaminating the powder. The technology, however, is superb, as is the openness of the system, which provides the advantage of being able to export files into planning software. A colleague of mine even uses it for his orthodontic cases now instead of wet impressions.

We invested in the iTero scanner five years ago and have used it for everything, from simple conventional crowns and bridges to scanning for full-mouth rehabilitations. When fabricating definitive bridgework, we use Createch Medical frameworks for screw-retained CAD/CAM-milled titanium and cobalt–chromium frameworks. Even though intraoral scanning appears extremely reproducible and accurate, I still use verification jigs where needed to ensure our frameworks are as accurate as possible. There are many intricacies that we consider and tips and techniques that we employ to make the scans more accurate that we have developed over time. The closer the scanbodies are together, the more accurate the scan is. Also, the more anatomical detail, such as palatal rugae or mucosal folds, the better the scans can be stitched together.

Figure 20 shows a CBCT volume to aid in planning for mandibular implant placement (Fig. 21) and realising the implant placement. We exposed the fixtures and placed Straumann Mono Scanbodies (Fig. 22). Then, we took an iTero scan of the fixtures in situ (Fig. 23) and made a verification jig from this (Fig. 24) to ensure passive implant positioning. The iTero models were made (Fig. 25) and a Createch titanium framework was used to support porcelain in a screw-retained design (Fig. 26). The last two figures show the excellent outcome and accurate framework seating (Figs. 27 & 28).

Choosing your workflow

There are many different systems on the market now, each offering a one-stop shop. If you are considering investing in a digital scanner, then take some advice from colleagues. One of the most important things is to ensure the system you opt for is an open one that allows you to extract the digital impression data into different software. We extract our files into CT planning software, model production software, chairside milling for stents, temporaries and definitive restorations, and now orthodontic planning software. I am convinced there will be yet more advances with time. The size of the camera is critical—some can be very cumbersome—and it is worth asking the salesperson what developments are underway.

Some companies are more on the cutting edge than others. My favourite at the moment is the Straumann scanner. Its design is light and user-friendly and it synchronises perfectly with implant planning software coDiagnostiX. Furthermore, while it offers a chairside milling unit, it also synchronises perfectly with my laboratory for larger cases.

To conclude, digital implant dentistry is the future and so why not take advantage of it and help improve your clinical outcomes?

Editorial note: A list of references is available from the publisher. This article was published in CAD/CAM - international magazine of digital dentistry No. 03/2017.

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Many of Vienna’s treasures are housed within the anachronistic Hofburg Palace on Michaelerplatz. (Image: Mistervlad – stock.adobe.com)

Mon. 28. April 2025

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VIENNA, Austria: Attendees of EuroPerio11 can look forward to a host city that seamlessly combines aesthetics with function. Known as both the City of Music and the City of Dreams, Vienna brings the old world into the digital age by harmonising centuries of imperial heritage and a rich cultural tapestry with scientific excellence. The enchanting capital was once home to Sigmund Freud and Empress Elisabeth of Austria, and dental professionals should resist neither its invitation to reflect nor its elegant charm.

Having advanced healthcare infrastructure and a deep intellectual history, Vienna is an ideal destination for dental professionals seeking more than just continuing education. The city invites visitors to connect with both its rich culture and the people around them while also offering space for self-reflection.

Cobbled streets and coffee

VIECON (formerly Messe Wien) is well connected with Vienna’s historic inner city via the U2 underground train line. A 10-minute ride will bring visitors to the Karlsplatz or Stephansplatz stations, and both offer an ideal starting point for exploring the compact treasure trove of pedestrian-friendly streets and grand architecture.

Centred around St Stephen’s Cathedral, the inner city area is enclosed by the Ringstrasse, a circular boulevard that traces the path of the old city walls and connects monumental sites like the Parliament and the University of Vienna. Wander through Graben, Kohlmarkt and Kärntner Straße for elegant shops, eateries and historic façades. Pause at the Hofburg palace, once the seat of the Habsburgs and now home to museums and the Spanish Riding School. Nearby, the Albertina Museum and Vienna State Opera reflect the city’s rich cultural life.

Time for a break? Vienna and coffee houses go together like whipped cream and Sachertorte. (Image: efesenko – stock.adobe.com)

Vienna and coffee-houses go together like whipped cream and Sachertorte, and the city’s most casual haunts have provided sustenance and refuge to many a weary traveller. Viennese coffee-house culture is recognised as part of Austria’s intangible heritage, and the city’s love affair with the bean dates to shortly after the Battle of Vienna in 1683, when the retreating Ottoman forces serendipitously left behind bags of roasted coffee. Legend has it that a man named Georg Franz Kolschitzky used them to open one of the city’s first cafés.

But Vienna’s coffee-houses are not just about getting a caffeine hit. They ooze atmosphere, and visitors can sit for hours with a single cup and read, write, think or people-watch. Philosophers, poets, composers and revolutionaries all found their groove in these velvet-seated salons. Thinkers like Freud and Trotsky often lingered at Café Central, and other well-known retreats include Café Sperl and Café Hawelka, the latter of which was popular among bohemian post-war artists. Stay as long as you like. The waiter will not rush you—elegant idleness is part of the charm.

A medical legacy of global impact

Vienna has long stood at the forefront of medical advancement. The Medical University of Vienna, founded in 1365, remains a hub for leading research and education. It has been home to pioneers such as Ignaz Semmelweis, whose advocacy for antisepsis saved countless lives, and Karl Landsteiner, who was awarded a Nobel prize for his discovery of blood groups.

One essential stop for the medically curious is the ableistly named Narrenturm, or “Fool’s Tower”. Europe’s first purpose-built psychiatric hospital, it was founded in 1784 and is now home to the pathologic-anatomical collection of the Natural History Museum Vienna. The collection of historical medical specimens and instruments offers a powerful glimpse into the evolution of clinical thought and public health. Also of note is the site of the old Vienna General Hospital, which is now one of Europe’s largest and a shining example of the integration between clinical care, teaching and biomedical research.

A cultural prescription

Given that the live surgeries at EuroPerio11 will be performed at the nearby dental clinic of Sigmund Freud Private University, attendees are guaranteed to encounter the legacy of the great Austrian philosopher. Vienna has long been a site for existential reflection, and visitors can glean Freud’s influence in the city’s thoughtful architecture and expansive parks. Those seeking a closer look can stop at the Sigmund Freud Museum, located in his former home and consulting office. Original furnishings are displayed alongside artefacts and exhibits chronicling the birth of psychoanalysis.

Vienna’s role as a cultural capital is undeniable. It was home to Mozart, Beethoven, Schubert and Mahler. Today, the Vienna State Opera, Musikverein and countless smaller venues continue to deliver transcendent musical experiences. Attending a concert or opera performance is not simply entertainment—it is a continuation of Vienna’s living cultural tradition, and a perfect way to shift from cerebral intensity to emotional resonance. Surprisingly, given that Vienna is more famously tied to classical music, there is a thriving jazz scene located around the hip Neubau district.

Destinations like Schloss Schönbrunn (pictured) and Schloss Belvedere are popular in the springtime. (Image: neiezhmakov – stock.adobe.com)

For visual inspiration, visit the Belvedere palace to find out why key works of Viennese modernism are among some of the world’s most reproduced paintings. The turn-of-the-twentieth-century movement propelled the city’s artists, designers and architects to break from the past, advocating for a “romanticism of the nerves” that celebrated sensations and heralded the end of naturalism. Collection highlights such as Der Kuss by Gustav Klimt and Die Umarmung by Egon Schiele echo an embracing of the senses that extended to music, philosophy and literature and can still be heard today.

Pause, reflect, savour

In Vienna, wellness is less of a buzzword than a way of life, and it often involves food. Traditional Austrian cuisine—like Tafelspitz or hearty stews—coexists with more contemporary vegan and vegetarian options. However, for many visitors, a trip to Vienna still holds the promise of a life-changing schnitzel experience. The famous Figlmüller restaurant offers just that at two locations in the inner city, at Wollzeile 5 and Bäckerstraße 6. Its plate-obscuring portion sizes have led to the belief that the Figlmüller schnitzel actually hovers above the table. Those seeking more of a restorative evening may venture into the wine-growing districts of Grinzing or Nussdorf to visit a Heuriger, a charming wine tavern serving local vintages in a relaxed, rustic garden setting.

Those wishing to set out from the congress venue on foot are likely to stumble across the nearby Leopoldstadt quarter. Encompassing the streets lying between the Danube and the Donaukanal, the area is leafy, laid-back and full of surprises. The Prater park and its iconic Ferris wheel offer a nostalgic touch, and the Karmelitermarkt is an artsy spot replete with indie cafés and eateries and hosts a lively Saturday market. The nearby stretch of Donaukanal is an urban hotspot, and a stroll along the canal paths reveals beach bars, colourful street art and pop-up springtime events. Keep an eye out for famous local spots like Strandbar Herrmann and Badeschiff, a floating pool and bar offering a wide array of drinks and snacks.

As the congress draws to a close, visitors may notice that Vienna has done more than host their stay; it may have subtly shifted their perspective. Inspiration and serenity can be found in many places, and the City of Dreams has a way of embedding itself in the waking memory. More than a place of history or beauty, but one of dialogue, Vienna reminds us that, in order to care deeply for others, we must also nourish our own minds, hearts and senses.

Editorial note:

Current event listings published by the Vienna Tourist Board can be accessed here.

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